The
Dancers

Originally from Italy, Kevin Alsina began dancing at the age of eight and went on to train at the Accademia Antonella Bartolacci before graduating from the English National Ballet School under Viviana Durante. He started his professional career with Opera National of Bucharest, English National Ballet and Northern Ballet. His early training culminated in a performance of Frederick Ashton’s Les Rendezvous, including Derek Deane’s Swan Lake in the Round. Alsina has performed across the classical canon, embodying characters from lyrical princes to virtuosic ensemble roles, and contributing to modern creations shaped by leading contemporary choreographers.

Andrea Arbasino is originally from Voghera, Italy, where he began studying classical dance at a young age. In 2016 he was admitted to the Accademia Teatro alla Scala in Milan, where he trained with teachers such as Frédéric Olivieri, Tatiana Nikonova, Loreta Alexandrescu and Elisa Scala, taking part in important productions including Woolf Works by Wayne McGregor, Aida by Giuseppe Verdi, The Nutcracker by George Balanchine and Don Quixote by Rudolf Nureyev.

In 2021 he continued his training at the European School of Ballet in Amsterdam, under the direction of Jean-Yves Esquerre and Olivier Wecxsteen.

During these four years, Andrea had the opportunity to deepen different styles and choreographic languages thanks to workshops with masters and choreographers such as Merrill Ashley, Suki Schorer, Maurice Causey (on William Forsythe’s masterpiece Herman Schmerman), Maina Gielgud, Goyo Montero, Roslyn Anderson and David Dawson.

His repertoire includes classical titles such as La Esmeralda, Raymonda, Ondine and Gottschalk by Olivier Wecxsteen, alongside contemporary creations such as Monade and Winter by Goyo Montero, Sombra, Aeternus and Fireflies by Macarena González, and Boulez I by Maurice Causey.

Andrea also had the opportunity to perform in Amsterdam with Metamorphosis by David Dawson, a neoclassical piece that marked his last performance with the school before the beginning of his professional career.

For the 2025/26 season, Andrea received his first contract as a professional dancer, joining the Corps de Ballet of Alberta Ballet in Canada, where he officially begins his artistic career.

Patrice was born in Lomé, Togo and was raised in Montréal, Canada.

He started dancing at the age of 7 and at 16 years old he began his professional ballet training. In 2020 he joined the Boston Ballet School’s pre-professional division at Walnut Hill where he studied for two years. He then joined the San Francisco Ballet School in 2022 where went on to be a Trainee for the 23/24 season after graduation. He returned to Canada and studied at the National Ballet School for one season before joining Alberta Ballet as an apprentice at the end of the 24/25 season. He was promoted to Corps de Ballet after his performance of The White Rabbit in Once Upon a Time - A Thousand Tales.

Originally from Asunción, Paraguay, Paloma began her ballet training at a very young age at Patricia Manavella Ballet Studio, under the guidance of Patricia Manavella. She also trained with Miguel Bonnin and, in 2021, completed her final year at the RCPD Mariemma (Real Conservatorio Profesional de Danza Mariemma) in Madrid, Spain.

Paloma has been recognized internationally, earning First Place in the Junior Category at the International Competition in Spoleto, Italy, and receiving scholarships to various schools at the Miami International Ballet Competition.

Before joining Alberta Ballet, Paloma danced with the Opéra National du Capitole in Toulouse, France, and later with Balletto di Milano in Italy, where she performed in renowned theaters worldwide across a wide range of productions and roles.

As a guest artist with Ballet Clásico y Moderno Municipal de Asunción, she performed Juliet in Romeo & Juliet. She has also appeared in prestigious galas throughout Latin America, dancing leading roles such as Kitri in Don Quixote, Odette/Odile and corps de ballet in Swan Lake, as well as roles in Le Corsaire, La Fille mal gardée by Ashton, La Bayadère, The Nutcracker, Na Floresta by Nacho Duato, among many others.

Paloma is with the Corps de Ballet.
 

Victoria was born in Calgary, AB, where she found her love of ballet while taking classes locally at the Trico Center. To further her training, she joined the Royal Winnipeg Ballet School before heading to Vancouver and San Diego to train under Tania Brossoit, Lynette Kelley, Francine Garton, Barbara Seibert-Chatelain, and Igor Yurlov. Victoria then completed her training in the Alberta Ballet School’s Graduate Program and had opportunities to perform alongside the company. She joined the Alberta Ballet Company as an Apprentice and was promoted to Corps de Ballet in 2025. Performing as a Wili in Christopher Anderson’s Giselle and as a Chorus Witch and Dew Fairy in Loughlan Prior’s Hansel & Gretel were Victoria's most memorable roles, while her most loved productions have been Francesco Ventriglia's The Wizard of Oz and his Don Quixote.

Grace was born in Melbourne, Australia and started her dance training at the age three. In 2018, she was accepted into the vocational training program at The Australian Ballet School.

While training there, Grace had the opportunity to represent the school at Canada’s National Ballet School, as part of their exchange program. She also danced leading roles in ballets choreographed by Danielle Rowe, Stephen Baynes and Loughlin Prior.

Grace received her graduate diploma this past December and joined the Australian Ballet for their short term production of the Storytime Ballet; Sleeping Beauty, where she performed Aurora and the Lilac Fairy. 

Grace joined Alberta Ballet for the summer contract and is now looking forward to perform a wide range of challenging  and exciting repertoire in the 2025/26 season.

Born in Sydney, Australia, Zoe began her ballet training at The McDonald College performing arts school. In 2021, she moved to Melbourne to join the Australian Ballet School in Level Five.

During her time at the Australian Ballet School, Zoe received the Graeme Murphy AO Contemporary Dance Award, the Areti Boyaci Spanish Dance Award, the Sandra Ball Award for Excellence in Anatomy Studies and was elected 2024 School Captain.

Zoe has performed in various productions with The Australian Ballet, including Graeme Murphy’s The Nutcracker: Story of Clara, Alice’s Adventures in Wonderland, The National Tour, and The Storytime Ballet Season of The Sleeping Beauty, where she performed the roles of Aurora, Lilac Fairy and Carabosse. 

Zoe is excited to join the Alberta Ballet as a corps de ballet artist in 2025.

Joining us from Melbourne, Australia, Bel joined Alberta Ballet in the summer of 2025, and was invited to stay on for the 2025/26 season.  

Bel began her training at 6 years old, with a local ballet school in Melbourne, before progressing to more intensive training with the Australian Conservatoire of Ballet, at age 13. After one year, she was accepted into the vocational dance training program with the Victorian College of the Arts Secondary School.  

At 17, she moved to the south of France, to continue her vocational training, and received her graduate diploma from the Pôle National Supèrieur de Danse, Rosella Hightower, in 2022. 

While studying in France, she had the opportunity to intern with the Dresden Semperoper and work closely with Les Ballets de Monte Carlo.  

After spending one, subsequent, postgraduate year in the English National Ballet School’s Professional Trainee Programme, she joined Hong Kong Ballet for three productions, over the 2024/2025 season, before being accepted by Alberta Ballet. 

Her most memorable professional experiences have been performing George Balanchine’s Serenade, as part of Hong Kong Ballet’s triple bill; The Rule Breakers, Yuri Posshokov’s Swan Lake world premiere, also with Hong Kong Ballet and Les Ballets de Monte Carlo’s Opus 40, while studying in France. 

Before joining Alberta Ballet for the 2023/24 season, Chizuru trained for two years at Alberta Ballet School. She had a chance to attend the Assemblée International 2023 and had a such a productive time with dancers all around the world. She also had opportunities to dance with Alberta Ballet Company’s productions such as Giselle, the Nutscracker.

One of her memorable roles was Fairy of Joy from Christopher Anderson’s the Sleeping Beauty,  Witches Loughlan Prior's Hansel & Gretel. and Cupid from Don Quixote.