The
Dancers

Caleb received his ballet training from the National College of Dance in his home city Newcastle, Australia. In 2013, he won the McDonald’s Ballet Scholarship, Australia’s largest ballet competition, and received the juror award at the Australian Institute of Classical Dance awards. In 2014, he moved to Texas to join Houston Ballet II. His highlights from this time include performing the principal couple in Allegro Brillante and Franz in Coppélia. In 2015, he joined Houston Ballet where he danced for seven years performing in many of the great classical ballets, his favourites being La Bayadère, Don Quixote and Romeo and Juliet. He was also featured in contemporary works such as Stanton Welch’s Powder and Aszure Barton’s Come In. Caleb has also completed his Bachelor’s degree from the University of Canberra.

Born in Toronto, ON, Alexandra is an alumnus of the Alberta Ballet School and has been a dancer with Alberta Ballet for 15 years. Some of her most memorable roles with the company include Helen Pickett’s Petal, Myrtha in Flavia Vallone’s Giselle, and the Fairy Godmother in Christopher Anderson’s Cinderella, amongst many others.

Scotto was born in Akron, OH, USA, and trained primarily at the Houston Ballet Academy. After graduating he had the opportunity to dance with Houston Ballet II before joining Alberta Ballet. He received the Royal Ballet Achievement Award for two consecutive years with the Royal Ballet School Covent Garden. Some of the ballets he has particularly enjoyed performing since joining the company include Jean Grand-Maître’s The Fiddle and the Drum, George Balanchine’s Allegro Brilliante, and Friends of the Prince in Christopher Anderson’s Swan Lake.

Hailing from Leesburg, Virginia, USA, Allison trained at both The Loudoun School of Ballet and Indiana University’s Jacobs School of Music, before beginning her professional career as a member of BalletMet’s second company in Columbus, Ohio. Now in her sixth season with Alberta Ballet, her performances in Cathy Marston’s Moving, Still and Christopher Anderson’s Giselle stand out as particularly memorable.